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Echoes of the Beat: How Reggaeton Took Over the World

Khoshnaw Rahmani, JadeTimes Staff

K. Rahmani is a Jadetimes news reporter covering Culture.

Image Source: Stephane Cardinale
Image Source: Stephane Cardinale

The Unexpected Call


Natalia had been waiting for years for this moment.


She glanced at her phone.


Unknown Number. Miami, Florida.


Her heart pounded. She swiped to answer.


"You ready to change the game?"


That voice. She had memorized every rhyme, every verse. It was Bad Bunny—the undisputed king of reggaeton.


She had spent her entire life listening to reggaeton, but no one had ever expected it to come from her.


Not from Istanbul. Not from someone who didn’t fit the industry’s mold.


Yet somehow, her song had crossed continents.


The Rise of a Global Sound


Reggaeton wasn’t supposed to be this big.


It started in the streets—Puerto Rico, Panama, Dominican Republic. A fusion of dancehall, hip-hop, Latin rhythms.


For years, traditional Latin labels dismissed reggaeton as underground noise, too raw, too rebellious for mainstream radio.


But then Daddy Yankee dropped Gasolina in 2004.


BOOM. The world listened.


By the late 2010s, reggaeton had taken over streaming platforms.


Industry Statistics:


Latin music revenue skyrocketed 24% in 2023, making it the fastest-growing genre in the world (Recording Industry Association of America).

Bad Bunny was Spotify’s most-streamed artist for three consecutive years (2020–2022), outperforming every pop and hip-hop act globally.

J Balvin and Karol G’s crossover hits helped Latin music reach a 25% increase in global listenership in the last decade.


Reggaeton was no longer just Latin—it was global.


"People used to say reggaeton was noise," Bad Bunny told Rolling Stone. "Now, it's culture."


Natalia knew this better than anyone.


The Struggle to Be Heard


She wasn’t from Puerto Rico. She wasn’t from Miami.


She was from Urmia.


Her father owned a café, playing classic Kurdish music, while she secretly blasted Daddy Yankee in her headphones.


Her mother wanted her to be a doctor, but she spent her nights sneaking into online forums, studying Latin music production.


She wasn’t Puerto Rican. She wasn’t Colombian.


She was nothing the industry expected.


But then, her track exploded.


Streaming Figures:


TikTok trends helped Latin songs achieve a 58% increase in viral reach (2023 data from Chartmetric).

• Natalia’s song was part of the reggaeton surge—one of the top 10 most-engaged genres on social media globally (IFPI 2023 report).


Her track reached three million streams before the industry even noticed her.


And then, somehow…


Bad Bunny found it.


The Call That Changed Everything


"Your sound isn’t Puerto Rican. It isn’t Colombian. It isn’t Cuban."


"It’s global."


Natalia gripped her phone.


"Get to Miami. We’re recording tomorrow."


She was in.


She had fought through doubt, through rejection, through industry norms that told her reggaeton wasn’t for artists outside Latin America.


But now?


The industry couldn’t ignore the numbers.


Global Reach of Latin Music:


Latin music streams grew by 35% on YouTube and 40% on Spotify in non-Spanish-speaking countries (Spotify Global Report).

Reggaeton concerts sold out in places like Japan, Nigeria, and Germany, proving the genre’s cross-border impact (Billboard 2023 data).


Reggaeton wasn’t just Latino anymore.


It was global music.


The World Takes Notice


Latin artists were no longer just regional megastars—they were world megastars.


Bad Bunny outsold Taylor Swift and Drake in global streams.

J Balvin teamed up with Beyoncé, Cardi B, and Ed Sheeran, proving reggaeton was now universal.

Karol G made history as the first Latina to headline major U.S. festivals, breaking gender barriers in the genre.


Natalia was stepping into a revolution.


The Moment of Truth


She arrived in Miami at midnight.


The air smelled like salt and city lights.


Her stomach twisted—not from nerves, but from destiny knocking at the door.


Bad Bunny was in the studio.


She stepped inside.


"Let’s make history."

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